︎ (EN) Dew Kim Plays Sub and Dom With the Korean Church by Liz Kim, Essay, 2023
︎ (EN) K-pop, the Possibility for Subversion Using Magical Imagery by Hyun Jeoung Moon, Critique, 2022
︎ (KR) 케이팝, 주술적 이미지를 활용한 전복의 가능성 by 문현정, Critique, 2022
︎ (EN) Apocalypse, Now Queer hope for the end of the world and Dew Kim’s Succulent Humans by Andrew Cummings, Article, 2022
︎ (EN) The Promise of Parasites: Queer Currents, Currencies of Queerness, and Dew Kim’s Latrinxia: A New Utopia by Andrew Cummings, Article, 2021
︎ (KR) 찬란한 고통, 매혹하는 공포 by 김소연, Review, 2021
︎ (EN) Dear artist Dew Kim by Jinshil Lee, Critique, 2021
︎ (KR) 듀킴 작가님께 by 이진실, Critique 2021
︎ (KR) 신인류 프로젝트 : 정조대를 찾아서 by 허니듀, Essay, 2021
︎ (EN) In Pornotopia by Jinho Lim, Critique, 2020
︎ (KR) 포르노토피아에서 by 임진호, Critique, 2020
︎ (KR) 공포와 쾌락을 함께 사유하기 by 루인, Critique, 2020 
︎ (KR/EN) Why Did Ishtar Go to the Underworld? by Dew Kim, Essay, 2020 
︎ (EN) Absence of Homeland or Birth of a New Breed by Chung Hyun, Critique, 2019
︎ (KR) 모국의 부재 혹은 새로운 종족의 탄생 by 정현, Critique, 2019
︎ (EN) Bling-Bling Stains Where Destruction Was Destroyed by Nam Woong, Critique, 2018
︎ (KR) 파괴를 파괴한 자리 벅차오르는 블링블링 얼룩 by 남웅, Critique, 2018
︎ (EN) DIONYSIA: The True Story of My Relationship with My Body by Dew Kim, Distinction Awarded Dissertation, Royal College of Art, 2015

︎ (EN/KR) Artist Statement